RHYTHM, TEMPO, AND THE LONGUE DUREE: HOW PEOPLE LEARN TO EXPERIENCE TEMPORALITY
Drawing on field research on artisans and heritage conservation in Greece, Italy, and Thailand, I ask how the experience of work rhythms and tempi might affect local people’s understandings of longer temporal processes — including monumentality — and how those understandings might be further shaped by official, usually linear models. Rejecting older distinctions between linear and cyclical time, I aim rather to develop a phenomenological approach that nevertheless does not beg the usual questions about psychological inner states. In particular, I explore the issue of power relations as these filter embodied experience, including the visual appreciation of the evidence of times past. Finally, with some trepidation, I ask whether archaeologists might be willing to pay more attention to their own bodily experiences as a way of understanding the ways in which their engagement with sites and with local people help to shape the public image of the archaeological site and its associated material remains.
Leave a Reply